Record companies stopped making vinyl because of the emergence of the CD in the late 1980s. Vinyl records touch that same spot with their retro charm. Ticket stubs from a great movie or worn-out letters from dear friends make us feel emotions we haven’t felt in a while. We’re all fond of nostalgic items that bring us back to happier times. What nobody saw coming was the value vinyl has created for new listeners. Music lovers couldn’t get enough of old recordings of late artists, vintage special editions, 80s records, etc. Revival of Vinyl RecordsĮver since the 1990s, records of all kinds started coming back into fashion. They aren’t reserved for vinyl collectors only they appear across all genres of popular music. Over time, 33s fell into obscureness.Ĥ5s still sell nowadays. Marketing strategies tried to distinguish between the two, though the similarities were unmistakable. Record companies competed using 33 and 45 RPM records. Because 45s played faster, they sold better. They allowed for full album versions instead of more individual songs per side. They also varied in speed – the 33 was slower than the 45.Ĥ5 records were more popular than the 33s because of LPs. The 45 was smaller than the 33 it was a 7-inch record, while the 33 was 10 or 12. The most significant difference between the two was in their size. It also meant the sound was smoother, as it allowed for high-fidelity. They both contained microgrooves made out of vinyl. The 45s and the 33s stored more sound information, making them ideal for recording more than just singles. The records were wide and large, thus incompatible with newer turntables. Shellac used to produce the 78 was difficult to work with and even harder to take care of. It couldn’t compete with modern times as well as the other two for several reasons. The 78 recording was the predecessor to the 45 and the 33. 78s and 33s share a resemblance but have a different feel to them. 33s could be vinyl or lacquer-covered recordings. They play at opposing speeds, the first at 33 RPM and the latter at 78.Īs far as material is concerned, 78s consisted of shellac. (1)ģ3s and 78s share the same size: they came in 10 or 12-inch formats. Later on, they could store up to 60 minutes’ worth of music. 33s played for around 20 minutes per side in the beginning. (5)Īlthough the 33s typically don’t hold as much music as the 45s, they helped get rid of the 78s. A stylus cut through the surface of the record, leaving a groove behind. Electrical recordings used a microphone to convert vibrations to an electrical signal, which connected to a stylus. From rock and roll to gospel and soul, all recording artists released their new music in this way.Īs opposed to predominantly acoustic 78s, the industry started using new technology to record. Every home had a record player, and everyone had their genre of choice. (5)ģ3s and 45s became more and more sought-after. Children’s records seem to be the last types of 78s ever produced back in the 1970s. Mass manufacture of the 78s didn’t stop until the 1950s. Only then will the turntable be able to play at 78 revolutions per minute. If you stumble upon these types of records, invest in a 78 adaptor that switches the pulleys within the turntable. It’s tricky to locate a vintage record player that plays 78s. A new generation of record players flooded the market. 45s were smaller, so they took up less space than 78 RPM records. Turntable companies recognized this movement too. However, it’s their dissimilarities that matter here. Both 45s and 78s come from either shellac or vinyl. They can also appear in the same size: 10 or 12 inches. The similarities between the 78s and the 45s are apparent: both records play music by having the turntable trace their grooves with its needle. Fewer singles and more albums turned out to be the recipe for success, and little by little, the 78s lost traction. As music artists gained popularity, their audiences wanted more from them. It didn’t catch on at the time – the 45s replaced the 78s for singles only. The record company RCA Victor also released EPs (Extended Play) as 45s. It was smaller (7-inch), yet the grooves were closer together. The 45 arrived a year later, as competition to the LP. It played at 33 RPM, and it appeared in 2 formats: 10 inches and 12 inches. The LP (Long Play) came into existence in 1948. Both the public and the music industry loved it, so they researched making even longer playing records. Vinyl didn’t make as much noise when the needle was pressing onto it. The sound of the 33s was incomparably better than the one coming out of the 78s.
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